Tuesday, December 23, 2008
Artistic invention
Art is continuously reinvented. Many artists, designers, and architects think like inventors. As they create, they may: explore beyond that which is known or obvious, push against barriers, change or discard conventions, and/or break into new territory. Breaking the rules became the most valued attribute in art during the 20th century, with the highest acclaim going to conceptual innovation which frequently involved the invention of new genres. For the first time the idea within the artwork was unmistakably more important than the tangible art object. All kinds of artists have been inventing throughout history, and among their inventions are important contributions to visual art and other fields.
Some visual artists like Picasso become inventors in the process of creating art. Inventions by other artists are separate from their art, such as the scientific inventions of Leonardo da Vinci. Some inventions in visual art employ prior developments in science or technology. For example, Picasso and Julio Gonzalez used welding to invent a new kind of sculpture, the form of which could be more open to light and air, and more recently, computer software has enabled an explosion of invention in visual art, including the invention of computer art, and invention in photography, film, architecture and design. Like the invention of welded sculpture, other inventions in art are new art forms, for example, the collage and the construction invented by Picasso, the Readymade invented by Marcel Duchamp, the mobile invented by Alexander Calder, the combine invented by Robert Rauschenberg, and the shaped painting invented by Frank Stella. Art has been reinvented by developing new processes of creation. For example, Jackson Pollock invented an entirely new form of painting and a new kind of abstraction by dripping, pouring, splashing and splattering paint onto unstretched canvas laying on the floor. A number of art movements were inventions often created collaboratively, such as Cubism invented by Picasso and Braque. Substantial inventions in art, design and architecture were made possible by inventions and improvements in the tools of the trade. The invention of Impressionist painting, for example, was possible because the prior invention of collapsible, resealable metal paint tubes facilitated spontaneous painting outdoors. Inventions originally created in the form of artwork can also develop other uses, as Alexander Calder's mobile is commonly used over babies' cribs today. Funds generated from patents on inventions in art, design and architecture can support the realization of the invention or other creative work. Frederic Auguste Bartholdi's 1879 patent on the Statue of Liberty helped fund the statue currently in New York harbor because it covered small replicas
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